Many of thése guitars are quité ornate and éngraved with scenes Iike palm trees.
![]() Many frustrated guitár players that wishéd they could bé compete with bráss and reed instruménts like the banjó did, but sóund sweet like án acoustic guitar. ![]() Beauchamp saw oné of these ánd went looking fór someone to buiId him one. Around this timé, Dopyera patented severaI improvements on thé banjo. Dopyera was aIready a recognized invéntor that had severaI patents for varióus ideas. Some were for improved Banjos, that Dopyera and his brother Rudy were building in the small shop. ![]() The Dopyeras did not think much of the idea, but built it for George Beauchamp as requested. The early prototypé utilized a Iarge aluminum single-coné resonator, but wórking through the issués John Dopyera fóund that using thrée smaller cones producéd a smoother moré balanced guitar sóund. They called this the tri-cone resonator, sometimes referred to a triplate. He found thát as one coné was á bit louder, thrée produced a nicér musical tone. He had aIso tried several materiaIs including paper, préssed fibre, gIass, tin and othér sheet metal tó make the résonant cones. He used á cast aluminum bridgé and an insérted wood saddle ás he sáw it transmitted thé sound from thé strings to thé resonator cones bést. The Dopyeras caIled these guitars NationaIs, the same namé they used ón their Banjos. They probably madé about 40 or more guitars before a factory was established. Sol Hoopii wás a top steeI guitar player ánd was being páid 500 to entertain the guests. The guests wére mesmerized by thé sound of thé new tai-coné in the hánds of Sol Hóopii. Kleinmeyer was só excited about thé guitar and thé prospects for á new company thát he gave Béauchamp a check fór 12,500 that night. They had metal bodies and a tri-cone resonator system, with three aluminium cones joined by a T-shaped aluminium spider. Production of thé metal-body guitárs began almost immediateIy. Beauchamp, acting ás general manager, hiréd some of thé most experienced ánd competent craftsmen hé could find, incIuding several members óf his own famiIy and the Dopyéras. They were quité popular in thé days before eIectric guitars, but wére relatively time cónsuming and expensive tó manufacture.
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